
I've yet to make heads or tails of Alain Badiou's systematic philosophy, but some of his critical and historical essays are fascinating. For example, this essay, entitled "Figures of Subjective Destiny: On Samuel Beckett," contains insights about Beckett I've never seen articulated quite so well.
Badiou really understands Beckett, especially the significance of Beckett's distinctive way of abstracting from the concrete vicissitudes of human life. This characteristic operation in Beckett's works always functions to outline what Badiou calls a 'figure': an image of the human subject and its encounters with others and the world - what Badiou calls "forms of the destiny of the human subject." These aren't images of a universal human subject - of what a human being is at anyplace or anytime - but of particular ways a human being might be.
