Reflections on philosophy and culture


Tuesday, September 28, 2010

The Joy of Not Knowing


Jacques Lacan is famous for having said that desire is the desire to go on desiring. I often think that this thought appeals to philosophers because it is an apt description of a deeply rooted but secret impulse to which philosophers are prone: to hold on to puzzlement, to have the questions we ask continue to go unanswered, or when they are answered, to find new and more perplexing questions to ask.

The obvious joke here would be that this is what keeps us in business. What business is that, I wonder, given the fact that many of us live in relative poverty?

But even if the joke has something to it, there is nevertheless a deeper, ethical impulse I have in mind. I say "ethical" because it concerns the question of how to live. We often pretend we would like to be a Kant: magisterial, with systematic answers to all the most fundamental questions of philosophy. But really, I suspect that many or most of us would really rather be a Socrates: Socrates, who didn't resign himself to ignorance so much as live in joyful ignorance. No matter how vociferously we defend the terribly fragile philosophical views we formulate, we choose to live lives in which we constantly give ourselves and each other vivid reminders of our own cluelessness. Otto Weininger once said - perhaps with such a life in mind - that philosophers are consumed by self-hatred. Maybe I'm wearing rose-colored glasses, but at least for now I prefer to think of myself as someone immersed in the joy of not knowing.*

*Image courtesy of www.tristhan.com

Monday, September 20, 2010

The Love of Books


To be the genuine article, falling in love must strike you as the work of blind chance. This is true even when you set out to fall in love and get exactly what you seek. When it happens, you can't help but think: "What a bizarre coincidence it is that I got the very thing I wanted using the very means I was fully convinced would get it for me!"

This is as true for books as it is for people.

Sunday, September 19, 2010

Robert Overweg's Virtual Derive

Recently, I came across a fascinating new kind of found art - the virtual photography of Robert Overweg. Each 'photograph' is a screen cap taken by Overweg while wandering through video game landscapes in ways that flout the purposes for which they have been constructed. His practice amounts to a kind of virtual dérive, and his photographs are the documentation thereof.

Particularly impressive are the works in his "Glitches" series. Overweg's paths through virtual space naturally lead him to points of view that an ordinary player would never inhabit - and thus to constructions that no game designer thinks to account for or correct. It is these constructions which Overweg documents: glitches - remainders which exceed the design of the game in the same way the grain of the stone exceeds the design of the sculptor. And in doing so, Overweg reveals what dérive has always had the capacity to reveal: that dimension of things which Heidegger called 'the Earth.'1